There is a line at the beginning of Todd Field‘s celebrated new film “TAR” that notes its subject, fictional conductor Lydia Tar, is many things.
She’s an EGOT winner. She’s a best-selling author. She’s, in this world at least, a classical music icon. But for Cate Blanchett, the Oscar-winner who magnificently portrays the title character, she represents something much more.
READ MORE: “TÁR” Review: Cate Blanchett Is At Her Best Since “Carol” In This Music World Psychodrama [Venice] Field’s first film in 16 years, “TAR” follows Lydia as she prepares to record Gustav Mahler’s Symphony no.
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