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Cannes Review: ‘Petrov’s Flu’
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deadline.comWatching the tumultuous and punishing Russian extravaganza Petrov’s Flu is like suffering a physical assault in a dark alley, or having a load of garbage jammed down your throat and piled on top of you until you just can’t take it anymore.
Experimental theater bad boy and 2018 Cannes competition Leto entrant Kirill Serebrennikov takes a throw-in-everything-including-the-kitchen sink approach to painting an appallingly bleak portrait of modern Russian life.
It’s arresting for a while, but you get the feeling that nothing would ever be enough for the filmmaker, that he’d still be exposing the excesses and crimes and corruption if he could.The director has been in trouble with Russian authorities from time to time, and this time he’s had the
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