When Harry Met Sally portrays heroine Sally Albright as a melodramatic shrew. You've Got Mail asks us to celebrate a man who gaslights the object of his affection and destroys her beloved family business in the process.
Sleepless In Seattle encourages glorified stalking. Pretty Woman depicts a rose-tinted version of the realities of sex work.
Love Actually is a mess of anti-feminism and unprofessional inter-office relationships, actually. That doesn't mean I don't love them, of course.
They are twee representations of their time. But if you were ever to remake any of these projects then you would need severe rewrites and difficult decisions about what is permissible in modern society.
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