Guy Lodge Film CriticThe weathered, storied face of rapper-actor Saul Williams does the heaviest lifting in “Akilla’s Escape,” an exceedingly solemn crime drama from Canadian filmmaker Charles Officer that benefits from every ounce of his natural gravitas.
As a Toronto drug trader facing the ugly roots of his underworld life in the wake of a botched deal, Williams conveys decades of isolation, ennui and internalized violence in a shorthand of creased eyes and twitching lips.
Profound but uncomplaining pain seems to seep from his very pores. It’s a crinkled, considered feat of physical performance that “Akilla’s Escape,” unfortunately, doesn’t wholly count on: Instead, an overworked script underlines his trauma at every turn with fussy.
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